The musical instrument pickups, effects units and amplifiers designed and manufactured
by Harry DeArmond and Bud Rowe and later by Steve Tosh in Toledo, Ohio, from the 1940s to the 1980s, through Rowe Industries Inc.,
H. N. Rowe & Company, Rowe DeArmond Inc., DeArmond Inc. and Tosh Electronics, all of Toledo, Ohio, USA.

Pickups Design

  1 - Types of pickup; 2 - Copper Winding Wire

 Part 1 - Types of pickup:

  Musical instrument pickups of the type produced by DeArmond fall into two categories - electromagnetic and Piezo.

  There are two types of electromagnetic pickups.  The first, most common DeArmond type consists of a coil of copper wire, generally of AWG 42 to 45, placed within a static magnetic field produced by a permanent magnet.  Any ferrous object moving within this magnetic field - such as a steel string - will cause a change in the magnetic field.  This change induces a voltage and waveform in the coil, which is then amplified.  The majority of DeArmond pickups operate on this principle.
  The early DeArmond pickups such as the basic plain chrome type also known as the Hershey bar type, the S-grille, the Diamond-grille, the multi-diamond grille type and others employed one bar magnet.  The main disadvantage of this type of pickup is that the magnetic field strength is the same across every string, which can result in an uneven response as heard by the human ear.
  Later pickups, such as the Models 450, 500, 1000, 1100, 2000, 220, 2200, 2300, 2400, four-scroll type, four-Vee type and others were fitted with individual pole-pieces.  Some of the foregoing pickups, such as the Models 450, 1100, 2000, 220, 2200, 2300, 2400 and four-scroll type have individually adjustable poles which help to focus the magnetic field more precisely.
  The Model 1000 pickup is unique in that it has one coil that was first wound around the pole-pieces for the four lowest strings (G, D, A and E) after which the pole-pieces for the E and B strings were inserted into the coil former.  The coils wind was then continued around all six pole-pieces.  Less coil turns around the High E and B strings resulted in a weaker signal from those strings.  DeArmond referred to this procedure in their literature as their 'Duo Form' method of winding.  It was time and labor-intensive.

  The second type of electromagnetic pickup consists of a coil of copper wire placed within a magnetic field as before, but this type does not depend on proximity to the strings.  Instead, a ferrous plate is placed within the magnetic field and the pickup itself is placed against the soundboard of the instrument.  This ferrous plate is the base-plate of the pickup.  As the soundboard vibrates, the metal plate vibrates in sympathy with it and this induces a corresponding voltage and waveform in the coil, with the same result as before.  The DeArmond pickups employing this principle are the models 700, 750, 750-C, 800 attachable transducer pickup for roundhole flat-top Spanish guitar (not to be confused with the Model 800 TremTrol) and 900.

  Piezo pickups operate on the principle that if pressure is applied to opposite sites of a crystal, a corresponding voltage is induced in two other opposite sides.  The DeArmond pickups employing this principle are the models 3000, 3010 and 3200.  While pickups employing this principle were initially expensive, they are now amongst the cheapest available.

Electromagnetic Pickups:

  The magnet shapes commonly used in used in electromagnetic pickups are the flat bar (as in all DeArmond humbuckers, Hershey Bar types, models RH/RHC and FH/FHC and un-numbered others), the pin or rod (as in Models 210, 700, 750, 900, 2000, RH-B/RHC-B, Fender Coronado guitar pickups with Black T insert and un-numbered others) and flexible rubberised strip with magnetisable particles (as in the four-Vee guitar and bass pickups, the all-chrome Fender Coronado guitar pickups, the Autoharp pickup Model 1300 and un-numbered others),

  The main factors influencing the sound of an Electromagnetic pickup - within the pickup itself - include the magnet's physical size and shape, its composition (Alnico 3, 4 or 5 or rubberised magnetic material), the strength and shape of the magnetic field, the shape of the coil, the wire guage (diameter), the number of turns, the wire's insulation thickness, the positioning of the coil relative to the magnetic field and the resonant frequency of the coil.  In addition, the pickup components that may influence the magnetic circuit such as, in the case of the early version of the DeArmond model RHC shown below, are the steel baseplate, the brass cover, the steel springs and screws.

  Once the signal has managed to make its way out of the coil, it passes through it's co-axial lead to the volume and tone controls, switches and internal wiring within the guitar and from there, through the external lead or wireless connection, to the amp.  Each one of the components in this chain introduces some measure of resistance, capacitance and inductance into the circuit, every one of which can influence the sound of the pickup. Then there is the amp itself, the environment and lastly - your own ears.



The two photos above show a Rickenbacker 'Horse-shoe' pickup from the early 1940s (photos courtesy of Farmhouse Guitars, Plano, Texas USA)


The two photos above are taken from U.S. Patent No. 2089171 dated August 10, 1937 for the Rickenbacker 'horse-shoe pickup' as granted to George Beauchamp
(reproduction of the Patents below is by kind permission of the United States Patent and Trademark Office).

  The first illustration above is a cross-sectional view through the pickup.  The second illustration shows the magnetic lines of force as focused through the strings and pole-pieces. 
  This pickup's coil, former and pole-pieces are similar in appearance and configuration to a basic single-coil Fender Stratocaster pickup.The six pole-pieces are not magnets themselves but the two horse-shoe magnets are placed in such a way that the magnetic field's shape and alignment in the vicinity of the strings is quite similar to that in the Strat pickup mentioned above. The strings are placed between the horse-shoe magnets and the top of the pole-pieces. This pickup comprises a number of machined components which would have been costly to produce.  It pre-dates the Strat pickup which, being of a later design, shows a different approach to providing the necessary magnetic field and has less components.

 Part 2 - Copper Winding Wire:

The insulation on copper winding wire currently used for pickups is a type of polyurethane whose melting point is the same as that of solder. This is no coincidence but is the product of several years of research.

When Rowe Industries first began manufacturing pickups, that wire was covered with an enamel varnish, as was standard for the time. The melting temperature of that varnish was much higher than the melting point of solder, so that the varnish could only be removed safely by the use of a fine emery paper. This method was time-consuming and resulted in a high wire breakage rate which affected costs.

Copper winding wire manufactured in America is produced in a range of diameters known as AWG – American Wire Gauge. As the diameter of the wire decreases, the AWG number increases, as can be seen in the table below.  Britain uses a similar system called the Standard Wire Gauge or SWG which is slightly different dimensionally to SWG.  Continental Europe bypasses the confusion of a Gauge system by using dimensions. 

A range of typical wire gauges as used in guitar pickups is shown below:

(Data shown is Copyright Essex Wire of Indiana, USA. This company is one of the suppliers to the original DeArmond companies)

Note that as the AWG number increases, the diameter of the wire decreases. Also, the AWG number refers to a bare wire so that, as seen in the table above, a bare wire of AWG 42 has a diameter of 0.0025 Inches (0.064 mm.) but if the insulation thickness is included, the overall diameter becomes 0.003 Inches (0.076 mm.)

The thickness of insulation depends upon the type used, with the older enamel varnishes being in some cases thicker than the polyurethane types. Also, insulation can be applied to the copper wire in more than one layer, which results in a greater overall diameter for the same copper conductor size.

The availability of a choice of insulation thicknesses may not seem important for a guitar pickup but if a vintage pickup is to be rewound accurately, the correct AWG copper wire, thickness of insulation and number of turns all must be used.

Take for example, a 1954 Fender Stratocater pickup. According to an analysis of one of these pickups by Seymour Duncan'a Research Laboratory, the wire type was 42 AWG with Formvar Heavy Build Insulation as opposed to Single Build Insulation. This resulted in an overall diameter of 0.003 Inches for the wire. This diameter is coincidentally the same as that shown in the Essex Wire table above.

Some vintage pickup fans maintain that only Formvar insulation will ensure an authentic rewind for this pickup, but this is simply not true.  Formvar, in common with all other types of winding wire insulation, has no effect on the pickup's magnetic field or it's sound.  The thickness of the insulation is the only consideration.

However, If a pickup is rewound with a wire of the same gauge and the same number of turns as before but with thinner insulation, it's sound will not be as before.  This is because the coil will be thinner than before, resulting in a smaller magnetic 'footprint' under the string.  If the coil is wound to the same outer dimension as before, it's DC resistance and impedance will be increased, resulting in yet another change in it's sound.